1. Temporary and eternal rasa

    Any way, anything enjoyed, there is a rasa. Rasa. You love somebody, you kiss somebody, embrace somebody, there is a rasa. So this picture is ananda-cinmaya-rasa. Here we have got that taste of rasa in a perverted manner. But cinmaya-rasa means it continues. This Radha-Krsna with the gopis, they are enjoying, dancing, chanting. That is eternal; that is never stopped
  2. The master dancer

    Actually the whole world is full of Krsna's singing, but it is appreciated in different ways by different kinds of living entities. This is confirmed in the Bhagavad-gita: ye yatha mam prapadyante tams tathaiva bhajamy aham [Bg. 4.11]. Krsna is dancing, and every living entity is also dancing, but there is a difference between the dancing in the spiritual world and
  3. A most obedient servant of one’s wife

    When a living entity is in such bewilderment that he is under the control of his wife, or material intelligence, he has to satisfy the intelligence of his so-called wife and act exactly according to her dictates. Various sastras advise that for material convenience one should keep his wife always satisfied by giving her ornaments and by following her instructions. In
  4. Developing bhakti to the level of the gopis

    The gopis of Vrndavana were so attached to Krsna that they were not satisfied simply with the rasa dance at night. They wanted to associate with Him and enjoy His company during the daytime also. When Krsna went to the forest with His cowherd boyfriends and cows, the gopis did not physically take part, but their hearts went with Him. And because their hearts went